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It is not difficult, indeed, to foresee such a situation, in which Dick Halward should be confronted, as if by magic, with the very words of the letter he has so carefully destroyed.
In this class we have placed, by definition, scenes which the author himself has rendered obligatory by seeming unmistakably to lead up to them or, in other words, scenes indicated, or seeming to be indicated, by deliberately-planted finger-posts. It may appear as though the case of Dick Halward, which we have just been examining, in reality came under this heading.
The author of that charming fantasy, The Passing of the Third Floor Back, was long ago guilty of a play named The Rise of Dick Halward, chiefly memorable for having elicited from Mr. Bernard Shaw one of the most brilliant pages in English dramatic criticism.
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