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Updated: May 16, 2025
"If I add to this that two of Jehan de Beauce's colleagues have been traced: Thomas Le Vasseur, who assisted him in the building of the new spire, and one Sieur Bernier, whose name occurs in ancient accounts; that from some old contracts, discovered by Monsieur Lecoq, we know that Jehan Soulas, image-maker, of Paris, carved the finest of the groups that are the glory of the choir-aisles, and can verify the names of other sculptors who succeeded this admirable artist, but who are less interesting, since with them pagan art reappears and mediocrity is evident: François Marchant, image-maker, of Orleans, and Nicolas Guybert, of Chartres we have mentioned almost all the records worthy of preservation as to the great artists who laboured at Chartres from the twelfth till the close of the first half of the fifteenth century."
They were succeeded by inferior craftsmen, François Marchant of Orleans, and Nicolas Guybert of Chartres; and after them art went on sinking lower and lower, down to one Sieur Boudin, who had dared to sign his miserable puppets, down to the stupid conventionality of Jean de Dieu, Legros, Tuby, and Mazières, to the cold and pagan work of the seventeenth and eighteenth centuries.
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