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He raised an impenetrable barrier before the young French school, and the only French works he played were symphonies by Gounod and Gouvy, and the overtures of Les Francs-Juges and La Muette. It was impossible to set up a rival society against him; and an exclusive monopoly in music was, therefore, held by him.
Besides, Seghers would have worked for the development of the French school whom Pasdeloup, with but few exceptions, kept under a bushel until 1870. Among these exceptions were a symphony by Gounod, one by Gouvy and the overture to Berlioz's Frances-Juges.
Oftentimes there were real riots. But we heard there for the first time the overture of Manfred, Mendelssohn's Symphony in A minor, and the overture to Tannhauser. The modern French school found the doors in the Rue Bergère closed to them, but they were welcomed with open arms at the Chaussée d'Antin. Among them were Reber, Gounod, and Gouvy, and even beginners like Georges Bizet and myself.
Among them were Schubert's Symphony in C, fragments of Weber's opera Préciosa, his Jubel overture, and symphonies by Gade, Gouvy, Gounod, and Reber. These symphonies are not dazzling but they are charming. They form an interesting link in the golden chain, and the public has a right and even some sort of duty to hear them.
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