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Updated: May 20, 2025
This comparison of the activity of the sound-ether, as the form-creating element in nature, with Chladni's phenomenon is drawn correctly only if we recognize that the conception of form, as an expression of that which is called forth through the etheric forces in nature, comprises more than the external spatially bounded shape of an organic or inorganic entity.
In the supersensible type which creates in the plant its own organ of manifestation, the creation of a number in the apple the number five is part of the form-creating activities characteristic of the type. The numerical relationships which appear between natural phenomena depend upon the way in which the chemical ether participates.
The sphere of the ether is the sphere of the creative archetypes of the world, and when we learn that to one part of this world the character of sound is attributed, we must search for a phenomenon, perceptible to our senses, which reveals to us the secret of the sound's form-creating power.
We may thus recognize the value of the latter as symptoms from which we can read the existence of a healthy connexion between the plant and the corresponding form-creating functions working on it from its surroundings. With this reversal of the relationship between cause and effect it is not, however, intended to represent the commonly accepted order of things as entirely incorrect.
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