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Updated: July 13, 2025
This is almost, at moments, MacDowell in the happiest phase of his lighter vein. The transition from F minor to major, after the fermata on the second page, is as typical as it is delectable; and the fifteen bars that follow are of a markedly personal tinge.
To illustrate this, in the simplest possible way, let us take the opening of the C minor Symphony Usually the fermata of the second bar is left after a slight rest; our conductors hardly make use of this fermata for anything else than to fix the attention of their men upon the attack of the figure in the third bar.
He had to practice with me, just as a singer would do, the more important parts allotted to his instrument in Beethoven's symphonies. When we first produced the Symphony in C minor, this extraordinary man played the small passage marked adagio at the fermata of the first movement in a manner I have never heard equalled.
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