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Updated: May 7, 2025
Ah! they were all Expressionists now, he had heard, on the Continent. So it was coming here too, was it? He remembered the first wave of influenza in 1887 or '8 hatched in China, so they said. He wondered where this this Expressionism had been hatched. The thing was a regular disease! He had become conscious of a woman and a youth standing between him and the "Future Town."
Ah! they were all Expressionists now, he had heard, on the Continent. So it was coming here too, was it? He remembered the first wave of influenza in 1887 or 8 hatched in China, so they said. He wondered where this this Expressionism had been hatched. The thing was a regular disease! He had become conscious of a woman and a youth standing between him and the "Future Town."
Hence every advance in the imitation of nature is an advance in the power of expression. The demand for fidelity of representation, for "truth to nature," so insistently made by the common man in his criticism of art, is justified even from the point of view of expressionism. Yet this fidelity of representation does not involve exact reproduction of nature.
Both a realism that tries to unite fidelity to the full qualities of the object with musical expression in the medium, and so to render the more typical responses to nature, which depend, for the most part, on the object itself, and a symbolism or expressionism that sacrifices fidelity for the expression, through the mere medium, of more personal responses, are in their rights.
Ah! they were all Expressionists now, he had heard, on the Continent. So it was coming here too, was it? He remembered the first wave of influenza in 1887 or '8 hatched in China, so they said. He wondered where this this Expressionism had been hatched. The thing was a regular disease! He had become conscious of a woman and a youth standing between him and the "Future Town."
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