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Updated: May 24, 2025
We were soon joined by another refugee, young Heine, who had once wished to paint my Lohengrin scenery. He had no qualms about his future, for his master Desplechins was willing to give him employment. I alone felt I had been pitched quite aimlessly into Paris.
At the hospitable house of Desplechins I met Semper, who was trying to make his position as tolerable as possible by writing some inferior artistic work. He had left his family in Dresden, from which town we soon received the most alarming news.
I turned from these disagreeable encounters in the plague- stricken capital of the world to inquire the fate of my Dresden companions, for some of those with whom I was intimate had also reached Paris, when I called on Desplechins, who had painted the scenery for Tannhauser. I found Semper there, who had, like myself, been deposited in this city.
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