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Updated: May 10, 2025
The voice of Paris the beloved, Paris the ever mourned for, was in his ears; the jargon of the Rue Maubert, the tinkle of the glasses through the doubtful but merry songs of the Pet du Deable, whispers of gay voices which had long passed beyond these voices, and the leering face, part satyr and part poet, grew wholly poet in its remembrance.
His treatment of it is not without a certain poetic merit. Theophilus has been deprived by his bishop of a lucrative office. In his despair he meets with Saladin, qui parloit au deable quant il voloit. Saladin tempts him to deny God and devote himself to the Devil, who, in return, will give him back all his old prosperity and more.
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