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Updated: May 27, 2025
They were condemned by parliamentary decree to "be hanged by the neck till they were dead, on a gallows erected for that purpose at the cross roads of the Croix-du-Trahoir; their bodies to remain there for twenty-four hours, then to be cut down and brought back to Paris, where they were to be exposed an a gibbet," etc., etc.
Add the crosses of carved stone, more lavishly scattered through the squares than even the gibbets; the cemetery of the Innocents, whose architectural wall could be seen in the distance above the roofs; the pillory of the Markets, whose top was visible between two chimneys of the Rue de la Cossonnerie; the ladder of the Croix-du-Trahoir, in its square always black with people; the circular buildings of the wheat mart; the fragments of Philip Augustus's ancient wall, which could be made out here and there, drowned among the houses, its towers gnawed by ivy, its gates in ruins, with crumbling and deformed stretches of wall; the quay with its thousand shops, and its bloody knacker's yards; the Seine encumbered with boats, from the Port au Foin to Port-l'Eveque, and you will have a confused picture of what the central trapezium of the Town was like in 1482.
They were condemned by parliamentary decree to "be hanged by the neck till they were dead, on a gallows erected for that purpose at the cross roads of the Croix-du-Trahoir; their bodies to remain there for twenty-four hours, then to be cut down and brought back to Paris, where they were to be exposed an a gibbet," etc., etc.
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