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Updated: May 8, 2025
They had a few uninspiring horses and riders for convention sake. But the haute ecole had vanished. Not even a rouged and painted ghost of Mademoiselle Renee Saint-Maur remained. It was a ragged, old-fashioned acrobatic entertainment, with the mildewed humour of antiquated clowns. But they had a star turn a juggler of the school of Cinquevallis an amazing fellow.
"Professional usage, my boy professional usage!" explained the celebrated entrepreneur when Matty Cann drew attention to the discrepancy. "It's always done in the theatrical business. Bless you, you don't think we pay our Sarah Bernhardts, and our Cinquevallis, and our Paderewskis and our Peggy Prydes those enormous salaries that get into the papers.
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