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Updated: May 2, 2025
Kennedy, Caesar, and the two Spaniards went toward the Piazza, del Campidoglio, and Buonacossi marched off in the opposite direction. On reaching the Via Nazionale, Kennedy took his leave and Caesar remained with the two Spaniards.
"They are Spanish painters," the old man added. "The other is a sculptor who has been in the Argentine, and he talks Spanish too." The three entered and sat down at the same table and were introduced to Caesar. Everybody chattered. Buonacossi, the Italian, was a real type. Of very low stature, he had a giant's torso and strong little legs.
His head was like a woe-begone eagle, his nose hooked, thin, and reddish, eyes round, and hair black. Buonacossi proved to be gay, exuberant, changeable, and full of vehemence. He explained his artistic ideas with picturesque warmth, mingling them with blasphemies and curses. Things struck him as the best or the worst in the world. For him there doubtless were no middle terms.
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