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Updated: May 3, 2025
His voice had been "discovered" in America by Jacob Crayford, who had sent him to Europe to be trained, and intended, if things went well and he proved to have the value expected of him, to bring him out at the opera house in New York, which was trying to put a fight against the Metropolitan. "I shouldn't wonder if I've got another Battistini in that boy!" Crayford sometimes said to people.
"Where would he be now if I hadn't got hold of his talent? In Wall Street eating his heart out. I met him, and I'll make him another Battistini. See here" and he turned sharply to Claude "I'll bring him out in your opera. That baritone part could easily be worked up a bit, brought forward more into the limelight. Why, it would strengthen the opera, give it more backbone.
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