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Stirling Calder, the sculptor, must have forgotten that the outline of those little symbolic figures perched on the shoulder of his horseman would not carry their meaning. Now, before our eyes, the Exposition revealed itself as a picture, with all the arts contributing. It suggested the earlier periods of art, when the art-worker was architect, painter and sculptor all in one. The Approach
At first glance one would have taken him for an art-worker, a wood engraver or a glider of saints' images, but on looking at him more closely, observing the eyes, round and grey, set close to the nose, almost crossed, and studying his solemn voice and obsequious manners, one asked oneself from what quite special kind of sacristy the man had issued.
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