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Updated: May 18, 2025
In the reprise the folk-song appears in the tonic minor, taken most unconventionally in the bass under elaborate arpeggiations in the right hand. The coda, as in the other sonata, is simply a strong passage of climax. Arthur's supernatural nature doubtless suggested the second movement, with its elfin airs, its flibbertigibbet virtuosity, and its magic of color.
Its kernel is formed of a beautiful broad melody, which, if soulfully conceived and delivered, will sing its way deep into the heart of the listener. For the accompaniment in the right hand we find chord arpeggiations in triplets, afterward in sixteenths, calmly ascending and descending, and surrounding the melody as with a veil. They are to be played almost without accentuation.
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