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Updated: May 15, 2025
She does not see that he is without the morbidezza of culture; that he finds no appogiatura in art; that he never rises at midnight, amid lightning and rain, to emit an inarticulate cry of æsthetic anguish in some metrical construction of the renaissance period.
The appogiatura, shown with a tiny circle above, has the quality of falsetto. The singer yodles down to the principal tone B. The song is strictly pentatonic. Peculiarly enough, it may be considered as belonging to any one of the following tonalities, B minor, E minor, or G major, though there is no G in the melody.
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