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Updated: May 19, 2025
The attenuated elegance of Parmigiano, the attitudinising of Anselmi's saints and angels, and a general sacrifice of what is solid and enduring to sentimental gewgaws on the part of all painters who had submitted to the magic of Correggio, proved how easy it was to go astray with the great master.
Anselmi's resolute American signal men unmindful of the straggling Bolos who were working south in the woods along the railroad, "ran" the railway telephone lines back to field headquarters at 458 and established communications with Major Nichols.
For these notices see Anselmi's monograph, "A proposito della classificazione dei monumenti nazionali nella provincia d'Ancona." Also quoted by Cavalcaselle e Crowe, viii. p. 480. Vasari, iii, 686.
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