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Updated: May 2, 2025
As lips, the vocal cords shape the air-column as it enters the larynx, to the required note; as vibrating lips set into vibration by the very air-column to which they have given shape they start the vibrations essential to pitch and pass them along into the cup of the larynx, which also has shaped itself to the note and where gyration and friction begin to reinforce the vibrations started by the cords.
That sense of unwasted resource, the feeling so important to convey to the audience that, much as the singer has accomplished, the limit of his capacity has by no means been reached, and that, like a great commander, he has his forces well in hand, is holding back his reserves and does not expect to launch them into action at all, can be created only by perfect control of the air-column; and that control of breath is gained best by a pause, if only for a fraction of a second, between inspiration and expiration.
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