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Updated: June 7, 2025
When, before I became acquainted with Feuerbach, I flung my books aside, wearied or angered, I often seized in the middle of the night my monster Poem of the World, my tragedy of Panthea and Abradatus, or some other poetical work, and did not retire till the wick of the lamp burned out at three in the morning.
The consequence of this visit to the theatre was that, instead of studying historical dates, as I had intended, I took out Panthea and Abradatus, and on that night and every succeeding one, as soon as I had finished my work for the manager, I added new five-foot iambics to the tragedy, whose material I drew from Xenophon.
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