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Updated: May 31, 2025
In fact they are so devout a pleading for the superiority of passion over all other inspirations, that it is astounding to hear Wagnerians occasionally complain of modern Italian operas as immoral as if any librettos could be immoral in comparison with the Nibelungen Cycle.
There is, of course, no "significance" in the sense in which the word is used by the Wagnerians. The short duet following contains a divine melody, but Ortrud's "aside" is a fairly lengthy one forty bars and is a bit of conventionalism which Wagner soon discarded.
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