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Updated: May 2, 2025
In the Third Symphony, he preceded the orchestral finale with an alto solo composed on "Das Trunkene Lied" of Nietzsche, and with a chorus employing the words of another of the naïve poems in the anthology of Arnim and Brentano. The Eighth is simply a choral setting of the "Veni, Creator" and the closing scene of Goethe's "Faust."
But he was thoroughly roused when Krafft, picking up a sheet of music and coming round to the front of the piano, began to sing DAS TRUNKENE LIED. By way of introduction, the low F in the bass of F minor sounded persistently, at syncopated intervals; Schilsky inclined his head, and Krafft sang, in his sweet, flute-like voice: Oh, Mensch! Gieb Acht! Was spricht die tiefe Mitternacht?
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