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Updated: May 13, 2025
Is this a "painter-like" subject? Assuredly, yet the etcher has often rendered the effect of a quiet sea in terms of line, as a pastellist has rendered it in terms of color, and a musician in terms of tone-feeling, and a poet in terms of tone-feeling plus thought.
If each poem is composed in its own "key," as we say of music, with its own scale of "values," as we say of pictures, it is obvious that the separate words tend to take on tones and hues from the predominant tone-feeling of the poem.
The truth is, that all this objectified tone-feeling is directly dependent on the original real existence of the object that calls it up, and on our practical personal relation to it, and is thus, by universal agreement, definitely non-aesthetic.
In these vivid nouns there is certainly some raw material for a poem, just as a heap of bits of colored glass might make material for a rose-window. But both poem and window must be built by somebody: the shining fragments will never fashion themselves into a whole. Predominant Tone-Feeling
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