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Updated: May 21, 2025
The Second, in C minor was composed in 1873; in this he used themes in the first and last movements, which were gathered in Little Russia. The work was produced with great success in Moscow in 1873. The next orchestral composition was a Symphonic Poem, called "The Tempest," with a regular program, prepared by Stassow. It was brought out in Paris at the same time it was heard in Moscow.
The realism so much emphasised by the critic Stassow and others is really an enormous sincerity, and the reduction to an almost bare simplicity of the musical idea. His vigorous rhythmic sense enabled Moussorgsky to express bizarre motions and unusual situations that are at first blush extramusical. Many of his "reforms" are not reforms at all, rather the outcome of his passion for simplification.
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