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Updated: May 20, 2025
And there is still eighteenth-century quality rather than nineteenth in her alternations of Smollettian farce-satire and Mackenziefied sentiment. She is very good to read, but stand a little out of the regular historic succession, as well as out of the ordinary novel classes.
But few know much more, though there is close by a much more elaborate and equally good piece of Smollettian fun in the quarrel of Buchanan and Targe, the Scotch Whig and Jacobite, over the reputation of Queen Mary.
But when Monimia appears to her lover as he weeps at her tomb, and proves to be no phantom, but a "warm and substantial" Monimia, capable of being "dished up," like any other Smollettian heroine, the reader is sensibly annoyed. Tobias as un romantique is absolutely too absurd; "not here, oh Tobias, are haunts meet for thee."
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