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I spent these dreadful days sitting huddled in my Karlsruhe fur coat from morning till night, and addled my brain with reading one after another of the volumes which Mme. Wille sent me in my seclusion. I read Jean Paul's Siebenkas, Frederick the Great's Tagebuch, Tauser, George Sand's novels and Walter Scott's, and finally Felicitas, a work from my sympathetic hostess's own pen.
The intention to produce the reverse effect is just visible, and therein, like the portly graces of the poor old Pyrenean Bear poising and twirling on his right hind-leg and his left, consists the fun. Jean Paul Richter gives the best edition of the German Comic in the contrast of Siebenkas with his Lenette.
Sometimes Richter's men and women are only the lay-figures upon which he piles and adjusts his gorgeous cloth-of-gold and figured damask. But Siebenkäs and his wife, in "Flower-, Fruit-, and Thorn-Pieces," are characters, quite as much as any of Balzac's nice genre men and women, and on a higher plane.
The intention to produce the reverse effect is just visible, and therein, like the portly graces of the poor old Pyrenean Bear poising and twirling on his right hind-leg and his left, consists the fun. Jean Paul Richter gives the best edition of the German Comic in the contrast of Siebenkas with his Lenette.
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