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Updated: May 14, 2025
"En Saga," Opus 9; "Karelia Overture," Opus 10; "Der Schwan von Tuonela" and "Lemmenkainen zieht heimwarts," Opus 22; "Finlandia," Opus 26; "Suite King Christiern II," Opus 27; "Pohjohla's Daughter," Opus 49; "Nächtlicher Ritt und Sonnenaufgang," Opus 55; "Scènes historiques," Opus 66; "Die Okeaniden," Opus 72. Some fifty songs, etc., etc.
Afterwards it was refused in succession by Halanzier, Vaucorbeil, and Ritt and Gailhard, who decided to take it only after they had heard it sung by that admirable singer Rosine Bloch. But to return to Le Timbre d'Argent. I was again on the street with my score under my arm. About that time Vizentini revived the Théâtre-Lyrique.
Some time after my Henri VIII, in which Vaucorbeil had imposed another collaborator on me, Ritt asked me for a new work. We were looking about for a subject, when Gallet came to my house and timidly, as if fearing a rebuff, proposed Benvenuto Cellini.
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