Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 8, 2025
That beautiful room, with its rich and grave architecture, which the Cardinal de Richelieu had inaugurated by his "Mirame," where Sully and Quinault's pastorals had been represented, and where Moliere had himself played his principal works, was this evening the rendezvous of all that was noble, rich, and elegant.
Quinault's Roland was arranged for him by Marmontel and was presented in 1778, unsuccessfully; Gluck presented his Iphigénie en Aulide, and no opera ever received such general approbation. "The scene was all uproar and confusion, demoniacal enthusiasm; women threw their gloves, fans, lace kerchiefs, at the actors; men stamped and yelled; the enthusiasm of the public reached actual frenzy.
The poet rearranged one of Quinault's tragedies, "Roland," and Piccini undertook the difficult task of composing music to words in a language as yet unknown to him.
"Put me in a place where I shall not be able to hear the words," said the latter to the box-keeper; "I like Lulli's music very much, but have a sovereign contempt for Quinault's words." Lulli obliged the poet to write "Armide" five times over, and the felicity of his treatment is proved by the fact that Gluck afterward set the same poem to the music which is still occasionally sung in Germany.
Lulli made such rapid progress that he soon commenced to compose music of a style superior to that before current in divertissements of the French court. The name of Philippe Quinault is closely associated with the musical career of Lulli; for to the poet the musician was indebted for his best librettos. Born at Paris in 1636, Quinault's genius for poetry displayed itself at an early age.
Word Of The Day
Others Looking