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In what measure do inflection and syntax represent anything in the subject-matter of discourse? In what measure are they an independent play of expression, a quasi-musical, quasi-mathematical veil interposed between reflection and existence? One who knows only languages of a single family can give but a biassed answer to this question.
As, however, he glanced to-day over the pages of Part Three, "The Origin and Nature of the Affects," he felt somehow out of tune with this bloodless vivisection of human emotions, this chain of quasi-mathematical propositions with their Euclidean array of data and scholia, marshalling passions before the cold throne of intellect.
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