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Updated: May 25, 2025
This slender beardless boy in the Spanish shovel hat and wisp of scarf twisted round the throat; and this tall, long-necked girl, with sloping shoulders and still half-developed bosom; are, so to speak, brother and sister in art, in Pisanello's wonderful genius.
We all know Pisanello's famous heads of the Malatesti of Rimini: the saturnine Sigismund, the delicate dapper Novello, the powerful yet beautiful Isotta; but there are other Renaissance medals which illustrate my meaning even better, and connect my feelings on the subject of this branch of art more clearly with my feelings towards such work as Benedetto's Pietro Mellini.
It is in every detail grandiose: masculine energy being combined with incomparable grace, religious feeling with athletic dignity, and luxuriance of ornamentation with severe gravity of composition. It is worth comparing this portrait of Francesco Gonzaga with his bronze medal, just as Piero della Francesco's picture of Sigismondo Malatesta should be compared with Pisanello's medallion. Vol.
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