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Updated: May 28, 2025
The edifice recalled to me a similar phenomenon I had once looked upon, the famous Caffe Pedrocchi at Padua. It was the same thing in Italy and America: a rich man builds himself a mausoleum, and calls it a place of entertainment. The fragrance of innumerable libations and the smoke of incense-breathing cigars and pipes shall ascend day and night through the arches of his funereal monument.
The edifice recalled to me a similar phenomenon I had once looked upon, the famous Caffè Pedrocchi at Padua. It was the same thing in Italy and America: a rich man builds himself a mausoleum, and calls it a place of entertainment. The fragrance of innumerable libations and the smoke of incense-breathing cigars and pipes shall ascend day and night through the arches of his funeral monument.
In their swift withdrawal, they only glanced at a few detached instruments of torture, all original Ecelinos, but intended for the infliction of minor and comparatively unimportant torments, and then they passed from that place of fear. In the evening we sat talking at the Caffè Pedrocchi with an abbate, an acquaintance of ours, who was a Professor in the University of Padua.
The edifice recalled to me a similar phenomenon I had once looked upon, the famous Caffe Pedrocchi at Padua. It was the same thing in Italy and America: a rich man builds himself a mausoleum, and calls it a place of entertainment. The fragrance of innumerable libations and the smoke of incense-breathing cigars and pipes shall ascend day and night through the arches of his funereal monument.
I could not help thinking one evening at Padua, while we sat talking with some pleasant Paduans in one of the magnificent saloons of the Caffe Pedrocchi, that I should like to go there for society, if I could always find it there, much better than to private houses.
After dinner we went to the Café Pedrocchi, celebrated throughout all Italy for its magnificence. Nothing could be more monumentally classic. There are nothing but pillars, columnets, ovolos, and palm leaves of the Percier and Fontain kind, the whole very fine and lavish of marble.
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