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Updated: June 2, 2025
Maeder's interest to use, than the lower one, I found my voice suddenly failing me. In my unhappiness I went to ask counsel and advice of Mr. Caldwell, the manager of the chief New Orleans theatre, He at once said to me, "You ought to be an actress, and not a singer." He advised me to study some parts, and presented me to Mr.
Maeder's voice was a contralto; it became necessary, therefore, to assign soprano parts to Miss Cushman. Undue stress was thus laid upon her upper notes. She was very young, and she felt the change of climate when she went on with the Maeders to New Orleans. It is likely that her powers as a singer had been tried too soon and too severely; her operatic career was brought to a sudden close.
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