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Updated: May 1, 2025
It is therefore a transparent anti-realistic lanscape painting, like that of the Psalmist, which those pious painters give us; it strives after elevated forms for the outer senses also, strives upward, and seeks to gain an insight into an entire world, into a cosmos of concentrated, natural life, the archetype of which in spite of all childish naturalism it has seen in the paradise of fancy rather than in reality.
In what a very different manner from that of Calame was this same Swiss scenery treated by the numerous artists who painted Alpine views at the beginning of this century! They tried almost everywhere to depress the high mountains into hilly country, and they furnish a lanscape commentary to Gessner's Idyls rather than to the gigantic scenery of the Alps as we conceive it at present.
My life had been before as a pleasing country rill, never destined to leave its native fields, but when its task was fulfilled quietly to be absorbed, and leave no trace. Now it seemed to me to be as a various river flowing through a fertile and lovely lanscape, ever changing and ever beautiful. Alas!
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