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Updated: May 14, 2025
Such names as "Olivo e Pasquale," "La Convenienze Teatrali," "Il Borgomaestro di Saardam," "Gianni di Calais," "L'Esule di Roma," "Il Castello di Kenilworth," "Imelda di Lambertazzi," have no musical significance, except as belonging to a catalogue of forgotten titles. Donizetti was so poorly paid that need drove him to rapid composition, which could not wait for the true afflatus.
Returning to Italy, Meyerbeer produced "Margherita d' Angiu" at La Scala, Milan, following it with "L'Esule di Granata"; and then in 1824 Venice saw and heard the "Crociato."
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