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Updated: May 17, 2025
By the side of Van Ostade or Brauer, for example, one of Greuze's bits of humble life seems like an academic composition, quite out of touch with its subject, and, except for its art, absolutely lifeless and insipid. In a word, his choice of subjects, of genre, is really no disguise at all of his essential classicality.
And this Happy Family of Greuze's! What joy in the children's eyes! What sweet repose in the young woman's face! What religious feeling in the grandfather's countenance! May God preserve their happiness to them! but let us hang by its side the picture of this mother, who weeps over an empty cradle. Human life has two faces, both of which we must dare to contemplate in their turn.
And this Happy Family of Greuze's! What joy in the children's eyes! What sweet repose in the young woman's face! What religious feeling in the grandfather's countenance! May God preserve their happiness to them! but let us hang by its side the picture of this mother, who weeps over an empty cradle. Human life has two faces, both of which we must dare to contemplate in their turn.
And this Happy Family of Greuze's! What joy in the children's eyes! What sweet repose in the young woman's face! What religious feeling in the grandfather's countenance! May God preserve their happiness to them! but let us hang by its side the picture of this mother, who weeps over an empty cradle. Human life has two faces, both of which we must dare to contemplate in their turn.
He had once had such a room in Paris, with a lofty, white, lacquered bed which is one stimulant the more, a source of depravity to old roues, leering at the false chastity and hypocritical modesty of Greuze's tender virgins, at the deceptive candor of a bed evocative of babes and chaste maidens.
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