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The first is an Albumblatt of curious dun colors; the second is a Capriccietto, a strange whim; the third is a beautiful bit called "May Blossom." Gesegnet ist die Stunde, sprach sie mit süssem Munde, mir ist kein Leid geschehn den Himmel fühl' ich stehn in meines Herzens Grunde.
Of these five, "Wann die Rosen aufgeblüht" is a wonderfully fine and fiery work; "Die Stunde sei gesegnet" has one of the most beautiful endings imaginable; "Mir ist, nun ich die habe" has a deep significance in much simplicity, and its ending, by breaking the rule against consecutive octaves, attains, as rule-breakings have an unpleasant habit of doing, an excellent effect.
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