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Updated: May 15, 2025


The first represents the mother of the saviour, and the kings of Judea from whom she was descended. The celestial head of the Virgin is of astonishing beauty of composition. The window of the chapel dedicated to Saint-Nicolas represents different acts of the life of saint Romain; and the painter, one may imagine, has not forgotten the history of the Gargouille.

The second row lights a circular inner gallery, which is above the aisles, and several of them offer paintings of great beauty. Amongst others Saint-Romain is represented making himself master of the Gargouille, and forcing the Seine to return to its bed. Against the first pillar to the right, on entering by the Western porch, is placed a large marble vessel containing holy water.

That of Saint-Romain, is much more remarkable, for the destruction of heathen temples, and the famous miracle of the Gargouille, which, gave birth to the privilege not less famous, which the chapter possessed of setting at liberty a prisoner every year.

One represents the consecration of Saint-Romain as bishop; in another, he overthrows the pagan temples; farther on, is the miracle of the dragon or Gargouille; next to it, is the procession of the shrine to obtain the deliverance of a prisoner, a ceremony which was instituted after the miracle of which we have already spoken. The apotheosis of Saint-Romain crowns these four paintings.

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