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The chapel is merely the vase turned upside-down, and outside-in. The principles of decoration are exactly the same. You will also please take it on my word today in another morning walk you shall have proof of it that Giotto was a pure Etruscan-Greek of the thirteenth century: converted indeed to worship St.
This is the first occurrence of it that I know in pure Italian painting; but the idea is Etruscan-Greek, and is used by the Etruscan sculptors of the door of the Baptistery of Pisa, of the evil angel, who "lays the heads together" of two very different persons from these Herodias and her daughter.
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