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Later the three melodies come again in the former order, and the big climax of the plaintive episode precedes the end, where the main theme dies down to a whisper. Andante cantabile, con alcuna licenza. After preluding chords in lowest strings a solo horn begins a languishing song, dolce con molto espressione.
Towards the climax he was a furious spender; he shopped with large unexpected purchases, he shopped like a mind seeking expression, he shopped to astonish and dismay; shopped crescendo, shopped fortissimo, con molto espressione until the magnificent smash of Crest Hill eroded his shopping for ever. Always it was he who shopped. My aunt did not shine as a purchaser.
Now the play of the waters is lost in the new vision, and a limpid song glides in the violins, with big rhythmic chords of harps, is taken up in clarinets, and carried on by violins in new melodic verse, con tenerezza e molto espressione. Then the whole chorus sing the tune in gentle volume. As it dies away, the music of the falling waters plash as before.
A new paroxysm of the warring themes rises to the first great climax where the old symbol of wondering and striving attains a brief moment of assured ecstatic triumph. After a short intervening verse leicht bewegt where the first vision appears for a moment, the song is resumed, still in a kind of shadowy chase of slow flitting voices, senza espressione.
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