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Updated: July 27, 2025
Other writers seek to balance form and expression, insisting on "the dual nature of music," while resting ultimately on the emotional-speech theory. "The most universal composers, recognizing the interdependence of the two elements, produce the highest type of pure music, music in which beauty is based upon expression, and expression transfigured by beauty."<1>
The emotional-speech theory has been held in a vague way, indeed, by most of those theorists whose natural conservatism would have drawn them in the other direction, and is doubtless responsible for the attempts at mediation, first made by Ambros,<1> and now met in almost all musical literature.
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