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The jays clamored loudly, and the trees whispered darkly, as before; and I somehow traced in the two sounds a fanciful analogy to the open boastfulness of Mr. Jo. Dunfer's mouth and the mysterious reticence of his manner, and to the mingled hardihood and tenderness of his sole literary production the epitaph.

Nothing more is known of him, not even his name. To know of a man that he is dead should be enough. A half-mile north from Jo. Dunfer's, on the road from Hutton's to Mexican Hill, the highway dips into a sunless ravine which opens out on either hand in a half-confidential manner, as if it had a secret to impart at some more convenient season.

Next to the peculiarity to which he owed his local appellation, Mr. Dunfer's most obvious characteristic was a deep-seated antipathy to the Chinese. I saw him once in a towering rage because one of his herdsmen had permitted a travel-heated Asian to slake his thirst at the horse-trough in front of the saloon end of Jo.'s establishment.

There was a kind of death- chamber hush in the valley, it is true, and a mysterious whisper above: the wind was just fingering the tops of the trees that was all. I had not thought of connecting Jo. Dunfer's drunken narrative with what I now sought, and only when I came into a clear space and stumbled over the level trunks of some small trees did I have the revelation.