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Some contemporary critics maintained a kinship between Matthias Claudius and Yorick-Sterne, though nothing further than a similarity of mental and emotional fibre is suggested. No one claimed an influence working from the English master. Even as late as 1872, Wilhelm Röseler in his introductory poem to a study of “Matthias Claudius und sein Humor” calls Asmus, “Deutschland’s Yorick,” thereby agreeing almost verbally with the German correspondent of the Deutsches Museum, who wrote from London nearly a hundred years before, September 14, 1778, “Asmus .
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