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Updated: July 9, 2025
While they rode in silence he conned the inventory. Slim uprightness like the strength of a young poplar; eyes that played the whole color-gamut between violet and slate-gray, as does the Mediterranean under sun and cloud-bank; lips that in repose hinted at melancholy and that broke into magic with a smile.
And this music glittered with the sun. The pitch of Wagner's orchestra had, after all, been predominantly sober and subdued. But in the orchestra of Strauss, the color-gamut of the plein-air painters got a musical equivalent. Those high and brilliant tints, these shimmering, biting tones, make one feel as though Strauss made music with the paint-brush of a Monet or a Van Gogh.
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