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Updated: May 21, 2025
No, he wasn't in love with La Clavel in the accepted sense of that indefinite term; he was the slave of the illusion, the emotions, she spun; he adored her as the goddess of his youth and aspirations. He tried to explain this, in halting and inadequate Spanish, to his tertulia; and because of his spirit rather than his words, his friends understood him.
La Clavel had worn it dancing, where it emphasized her grace and perversity and stark passion; it had been, in Charles Abbott's mind, synonymous with her, with the vision she created; but, suddenly, it lost that significance, and he saw it as the revealed outspread pattern of his own existence.
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