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Updated: May 14, 2025
Objections that can be made to it are, that the fingering, although excellent, is not always Chopinesque; and that the alteration of the rhythmically-indefinite small notes of the original into rhythmically-definite ones, although facilitating the execution for learners, counteracts the composer's intention.
The orchestration throughout displays Arnold's characteristic studiousness in picturesque effect. For piano there is a czardas, and a "Valse Élégante" for eight hands; it is more Viennese than Chopinesque. It might indeed be called a practicable waltz lavishly adorned.
Rubinstein did all sorts of wonderful things with the coda of the Barcarolle such a page! but Sir Charles Halle said that it was "clever but not Chopinesque." Yet Halle heard Chopin at his last Paris concert, February, 1848, play the two forte passages in the Barcarolle "pianissimo and with all sorts of dynamic finesse." This is precisely what Rubinstein did, and his pianissimo was a whisper.
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