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Updated: May 27, 2025
She was not allowed to begin singing, in earnest, before she was nineteen, for fear of straining so delicate a voice, and she then had the advantage of the tuition of Signor Caravoglia, one of the most celebrated teachers of the time.
His wife played the accompaniments, so that the master could give his whole attention to the attitude, production, and facial expression of the pupil. Signer Caravoglia only consented to teach her on the express condition that she would not sing in choruses, on account of the danger of strain and overexertion. She practised regularly, chiefly exercises, two hours a day in separate half hours.
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