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Perfect, in its prime, was the marble Ca'd'Oro, with the noble recesses of its <i>loggie</i>, but even then it probably never "met a want," like the successful <i>vaporetto<i>. If, however, we are not to go into the Museo Civico the old Museo Correr, which rears a staring renovated front far down on the left, near the station, so also we must keep out of the great vexed question of steam on the Canalazzo, just as a while since we prudently kept out of the Accademia.
But Just here the little piers of the resented steamer are particularly near together, and it seems somehow to be always kicking up the water. As we go further down we see it stopping exactly beneath the glorious windows of the Ca'd'Oro. It has chosen its position well, and who shall gainsay it for having put itself under the protection of the most romantic facade in Europe?
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