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Not only is such archaising inconsistent with the art of an uncritical age, but a careful archaiser, with all the resources of Alexandrian criticism at his command, could not archaise successfully. We refer to Quintus Smyrnaeus, author of the Post Homerica, in fourteen books.

A modern critic, who thinks this possible, is bringing the practice of archaising poets of the late nineteenth century into the minds of rhapsodists of the eighth century before Christ. Artists of the middle of the sixteenth century always depict Jeanne d'Arc in the armour and costume of their own time, wholly unlike those of 1430. This is the regular rule.

Even less are poets in uncritical times inclined to "archaise," either by attempting to draw fancy pictures of the manners of the past, or by making researches in graves, or among old votive offerings in temples, for the purpose of "preserving local colour." The idea of such archaising is peculiar to modern times.

But it is only in the long run that this effect can be counted on; and it is perhaps not securely to be counted on even in a moderately long run of things as they have run hitherto, if due precautions are taken by the interested statesmen, as would seem to be indicated by the successful conservation of archaic traits in the German peoples during the past half century under the archaising rule of the Hohenzollern.