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But Ambrogio's portrait certainly represents none of the three, and it is far more likely that we have here a likeness of the duke's son-in-law, painted about the time of his marriage to Bianca Sforza.
Then Fra Gianmaria, his mentor, seeing that the boy had gained courage, came also to a seat beside Donna Isabella, with a look of radiant congratulation; for he had been the boy's teacher ever since the little lad had passed beyond the limits of Don Ambrogio's modest attainments.
On the threshold, however, Narcisse's enthusiasm burst forth; he turned to cast a final admiring glance at old Ambrogio's head, "a perfect masterpiece," which he continued praising whilst he descended the stairs.
On the threshold, however, Narcisse's enthusiasm burst forth; he turned to cast a final admiring glance at old Ambrogio's head, "a perfect masterpiece," which he continued praising whilst he descended the stairs.
On the threshold, however, Narcisse's enthusiasm burst forth; he turned to cast a final admiring glance at old Ambrogio's head, "a perfect masterpiece," which he continued praising whilst he descended the stairs.
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