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Updated: June 14, 2025
In 1590-1630, there was no public excitement about the characters, personalities, and anecdotage of merely literary men, poets, and playwrights, who held no position in public affairs, as Spenser did; or in Court, Society, and War, as Sidney did; who did not write about their own feuds and friendships, like Greene and Nash; who did not expand into prefaces and reminiscences, and satires, like Ben Jonson; who never killed anybody, as Ben did; nor were killed, like Marlowe; nor were involved, like him, in charges of atheism, and so forth; nor imprisoned with every chance of having their ears and noses slit, like Marston.
There was also in the very constitution of Milton's mind, in the majestic regularity and planetary solemnity of its epic movements, something which he could understand and appreciate. As to the meteoric and incalculable eccentricities of the dramatic mind, as it displayed itself in the heroic age of our drama, amongst the Titans of 1590-1630, they confounded and overwhelmed him.
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