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Updated: May 9, 2025
The tower itself, visible from all parts of the town, was the conception of Martin Untenhoven of Malines, and replaced a more primitive one in 1433. Of very severe character, its great bare bulk rose to an unfinished height of some hundred and seventy feet, and terminated in a squatty sort of pent-house roof of typical Flemish character.
The attribution of these frescoes to Melchior Broederlam does not, it would seem, accord with the style or the date of their production, M. Alph. van den Peereboom thinks, and he gives credit for the work to two painters who worked in Ypres in 1468 MM. Pennant and Floris Untenhoven.
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