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§ XXIII. I may sum up all that it is necessary for the reader to keep in mind of the general laws connected with this subject, by giving him an example of each of the two forms of the perfect Gothic arch, uncusped and cusped, treated with the most simple and magnificent masonry, and partly, in both cases, Mont-Cenisian. The first, Plate V., is a window from the Broletto of Como.
The windows which are high up the aisle walls are large, round-headed, and perfectly plain. At the transept ends are large round windows filled with plain uncusped circles, and there is another over the west door filled with a rococo attempt at Gothic tracery, which agrees well with the two domed western towers whose details are not even good rococo.
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